709 100 nits would be the correct selection. 709 SDR timeline and viewing Final Cut’s output on a video monitor, Rec. The Output Space pulldown selects the target display device. The Input Space pulldown can be set to a specific camera brand’s logarithmic color science (if listed) or Generic if you don’t see a corresponding option.
The ACES color space is larger than all other color spaces and requires an input setting (IDT - Input Device Transform) and target output setting (ODT - Output Device Transform). ACES (Academy Color Encoding System) is an open source color space being developed by a working group of the Academy of Motion Picture Arts and Sciences. Select Use ACES when you would like to use ACES color management on a clip. Do not use Assume Log if you have already applied a LUT in the inspector or as an effect upstream prior to th Color Finale 2 effect. Color Finale 2 will make a “best guess” calculation and convert the clip into the color space defined for the library and project. Select Assume Log when a clip has been recorded in a log color space and you don’t know which camera or type of log space was used. For example, if you have an ARRI ALEXA camera clip recorded in Log-C and have applied the default LogC-to-Rec709 LUT in the inspector, then the Color Finale 2 color profile should be set to Assume Video.
#IMPORT LUT INTO COLORFINALE PRO#
This option should also be used when you have already added a LUT to the clip in the information section of the Final Cut Pro inspector. Assume Video is the Color Finale 2 default and means that the filter will not change the existing color profile of the clip. 709 for SDR (standard dynamic range) content. Select Assume Video for clips that are already in a color space which matches the library and project color space values. To do this, be sure to first close Adobe Premiere Pro.Set the initial Color Profile for the clip using one of the following settings: Assume Video In order to import more than 1 LUT you need to create custom folders from within Adobe’s Application support folder. So how exactly do you import a bunch of LUTS at once into your Lumetri Color panel? Importing a Pack of LUTsĪs you’ve likely experienced, Premiere Pro only allows you to import 1 LUT at a time from the Basic Correction section or the Creative section of the Lumetri Color Panel. Some LUTS are designed to simply improve the exposure and the contrast and others can achieve particular cinematic looks. There are many different packs available online for particular looks. For example, LUTS for Canon C-LOG footage, S-LOG, or LUTS for D-LOG Mavic Pro Aerial shots. But LUTs are best used when they are designed for a particular camera profile. But you can certainly apply a LUT in Premiere Pro and then adjust it to fit your video using the control sliders in the Lumetri Color panel.ĭo LUTS work on all footage? Sometimes. It’s important to note that you cannot expect LUTS to magically fix all your footage and make it look perfect. But what does that even mean? Basically, LUTs contain “basic math” which when applied to a photo or video can alter the colors, exposure, and more.
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